Ghosts
This installation and artifact-based series inquires into the transfiguration of the lifeforce, looking for the vulnerable yet resilient nature of life, and the relationship of sorrow and loss, with wonder and renewal. Arising out of a fascination with the passage of time and the charged interplay of presence & absence / ephemerality & permanence, this series also evolved in an exploration of grief. I am interested in the inherent meanings of objects and images as they relate to their materials, histories and new configurations. This work both emphasizes materials (which include ashes, insects, human teeth, dried chicken feet, potatoes, and so on), and also addresses immateriality, as it implies memory and phenomena.
I Will Be With You Again (Everything That Fades Away is Beautiful) [detail]
ash, dead birds, leaves, mineral pigment | 23″ x 20″ x 4″ | 2002
To Inspire Ambition, to Stimulate the Imagination, to Provide the Inquiring Mind with Accurate Information Told in a Interesting Style, and Thus Lead into Broader Fields of Knowledge – Such Is the Purpose of This Work
encyclopedia pages | 36″ x 36″ x 5″ | 2003
Interface Parable: The Curious Workings of Memory Orientation
wasp nest, styrofoam | 23″ x 16″ x 23″ | 2003
Whatever Shall Ramain (Have You Forgotten How to Pray?)
mason jars, ashes, bean seeds | 72″ x 18″ x 9″ | 2003
Whatever Shall Ramain (Have You Forgotten How to Pray?) [detail]
mason jars, ashes, bean seeds | 72″ x 18″ x 9″ | 2003
You Learn to Love the Place Somebody Leaves Behind For You
sawblade, dried lilies | 55″ x 18″ x 10″ | 2003
The Moment When the Relentless Flux of Obsession and Fear are Slowed by the Suspension of Belief
dried varnished chicken feet, wood | 96″ x 14″ x 90″ | 2004
The Moment When the Relentless Flux of Obsession and Fear are Slowed by the Suspension of Belief [detail]
dried varnished chicken feet, wood | 96″ x 14″ x 90″ | 2004
When We Notice How Much of Our Lives We Have Missed and How Little We Have Responded To The Call of Our Own Soul
glass, dried insects | 48″ x 40″ x 2″ | 2004
When We Notice How Much of Our Lives We Have Missed and How Little We Have Responded To The Call of Our Own Soul [detail]
glass, dried insects | 48″ x 40″ x 2″ | 2004
Passage Mythologies: the Entropy of Wonder
chair, wood, sage, hair, bird skull, calendula petals, latex | 26″ x 26″ x 48″ | 2004
Passage Mythologies: the Entropy of Wonder [detail]
chair, wood, sage, hair, bird skull, calendula petals, latex | 26″ x 26″ x 48″ | 2004
Haunt: Tales of Frail Conditions
chair, toy truck and car, door knobs, nails, clocks, metal, vinyl armrests, twine, photograph album pages | 36″ x 41″ x 48″ | 2004
Relative Landscapes: Rendering of the Majesty and the Tragedy [dark version]
Wood, digital projection | 60″ x 5″ x 102″ | 2005
Ingestion – Purification – Regurgitation – Construction
Wood ant nest, plaster, styrofoam, beeswax, wasp paper | 18″ x 10″ x 6″ | 2007
You Lose Sight of Where You Are, Where You Want to Go
Tires, wood, ash, toy vehicles | 15″x18″x25″ | 2005
Time Ghost
Metal, clocks, watches, skull, hummingbird, ptarmigan wings, dried chicken feet, bronze chicken feet | 32″ x 8″ x 3″ | 2007
Time Ghost [detail]
Metal, clocks, watches, skull, hummingbird, ptarmigan wings, dried chicken feet, bronze chicken feet | 32″ x 8″ x 3″ | 2007
Time Ghost [detail]
Metal, clocks, watches, skull, hummingbird, ptarmigan wings, dried chicken feet, bronze chicken feet | 32″ x 8″ x 3″ | 2007