Lockout
jar, honey, plastic, candy hearts, dead bees | 8″x8″x16″ | 2000
Methods of Coping [detail]
potatoes, wood, eggshells | 58″ x 30″ x 65″ | 2002
I Will Be With You Again (Everything That Fades Away is Beautiful) [detail]
ash, dead birds, leaves, mineral pigment | 23″ x 20″ x 4″ | 2002
To Inspire Ambition, to Stimulate the Imagination, to Provide the Inquiring Mind with Accurate Information Told in a Interesting Style, and Thus Lead into Broader Fields of Knowledge – Such Is the Purpose of This Work
encyclopedia pages | 36″ x 36″ x 5″ | 2003
Interface Parable: The Curious Workings of Memory Orientation
wasp nest, styrofoam | 23″ x 16″ x 23″ | 2003
Whatever Shall Ramain (Have You Forgotten How to Pray?)
mason jars, ashes, bean seeds | 72″ x 18″ x 9″ | 2003
Whatever Shall Ramain (Have You Forgotten How to Pray?) [detail]
mason jars, ashes, bean seeds | 72″ x 18″ x 9″ | 2003
You Learn to Love the Place Somebody Leaves Behind For You
sawblade, dried lilies | 55″ x 18″ x 10″ | 2003
Removed (Histories of the Disappeared)
book covers | 16″ x 16″ x 134″ | 2004
The Moment When the Relentless Flux of Obsession and Fear are Slowed by the Suspension of Belief
dried varnished chicken feet, wood | 96″ x 14″ x 90″ | 2004
The Moment When the Relentless Flux of Obsession and Fear are Slowed by the Suspension of Belief [detail]
dried varnished chicken feet, wood | 96″ x 14″ x 90″ | 2004
Grind (A Collective Pact of Secrecy)
rocks, shells, human teeth | 32″ x 20″ x 6″ | 2004
Grind (A Collective Pact of Secrecy)
rocks, shells, human teeth | 32″ x 20″ x 6″ | 2004
When We Notice How Much of Our Lives We Have Missed and How Little We Have Responded To The Call of Our Own Soul
glass, dried insects | 48″ x 40″ x 2″ | 2004
When We Notice How Much of Our Lives We Have Missed and How Little We Have Responded To The Call of Our Own Soul [detail]
glass, dried insects | 48″ x 40″ x 2″ | 2004
Pyre (How Will You Renew What Has Passed?)
wood, reed, ashes, plastic, hemp | 36″ x 36″ x 48″ | 2004
Passage Mythologies: the Entropy of Wonder
chair, wood, sage, hair, bird skull, calendula petals, latex | 26″ x 26″ x 48″ | 2004
Passage Mythologies: the Entropy of Wonder [detail]
chair, wood, sage, hair, bird skull, calendula petals, latex | 26″ x 26″ x 48″ | 2004
Haunt: Tales of Frail Conditions
chair, toy truck and car, door knobs, nails, clocks, metal, vinyl armrests, twine, photograph album pages | 36″ x 41″ x 48″ | 2004
Relative Landscapes: Rendering of the Majesty and the Tragedy [dark version]
Wood, digital projection | 60″ x 5″ x 102″ | 2005
If You Wish to Think About What is Invisible
Paper, soot | 25″ x 25″ x 2″ | 2006
If You Wish to Think About What is Invisible [detail]
Paper, soot | 25″ x 25″ x 2″ | 2006
Strategies of Balance
paper pulp, soot, ink | 34″ x 34″ x 8″ | 2006
Strategies of Balance [detail]
paper pulp, soot, ink | 34″ x 34″ x 8″ | 2006
Ingestion – Purification – Regurgitation – Construction
Wood ant nest, plaster, styrofoam, beeswax, wasp paper | 18″ x 10″ x 6″ | 2007
You Lose Sight of Where You Are, Where You Want to Go
Tires, wood, ash, toy vehicles | 15″x18″x25″ | 2005
Time Ghost
Metal, clocks, watches, skull, hummingbird, ptarmigan wings, dried chicken feet, bronze chicken feet | 32″ x 8″ x 3″ | 2007
Time Ghost [detail]
Metal, clocks, watches, skull, hummingbird, ptarmigan wings, dried chicken feet, bronze chicken feet | 32″ x 8″ x 3″ | 2007
Time Ghost [detail]
Metal, clocks, watches, skull, hummingbird, ptarmigan wings, dried chicken feet, bronze chicken feet | 32″ x 8″ x 3″ | 2007
To Be a Little More Kind
Turmeric, cloves, dead squirrel | 60″x60″x8″ | 1995
Ghosts Installation View
at Two Rivers Art Gallery, Prince George | 2004